Course Name | Fashion Design Studio: Collection III |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
FD 302 | Spring | 2 | 6 | 5 | 10 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Required | |||||
Course Level | First Cycle | |||||
Mode of Delivery | face to face | |||||
Teaching Methods and Techniques of the Course | DiscussionProblem SolvingCritical feedbackJuryField trip / ObservationApplication: Experiment / Laboratory / WorkshopLecture / Presentation | |||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) |
Course Objectives | The course prepares a ground for designing a sustainable and responsible fashion collection and production of looks for contemporary fashion design market in accordance with the current issues in society and cultural, social, economic and ethical considerations in fashion industry. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | Along with a series of seminars and lectures on sustainable and responsible fashion, the course focuses on developing an innovative and experimental fashion design collection based on a research regarding the current needs and functions of clothing in society and in the fashion system. |
Related Sustainable Development Goals |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | 20.02. Introduction of the course, syllabus, and course materials Documentary Screening 23.02. PROJECT 1: Denim Couture │ Introduction Design Research and Concept Development: Identifying Key Visuals, Concepts and Color Palette Studio Critique 1 │ Concept Board | Farley, G. K., Farley, J., & Hill, C. (2014). Sustainable fashion: Past, present and future. Berg. ISBN: 978-0-8578-5185-7, p. xv-xix. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2, p.1-22. Kipoz, S. (2020). Slowness in fashion. Dixi Books Publishing OOD. ISBN: 978-619-7458-23-7, p. 85-100. Kipöz, Ş. (2021). Sürdürülebilir Moda. Yeni İnsan Yayınevi. ISBN: 978-605-5895-67-9, p. 61-98. Gwilt, A., Payne, A., & Ruthschilling, E. A. (Eds.). (2019). Global perspectives on sustainable fashion. Bloomsbury Visual Arts. ISBN: 9 78-1-3500-5813-2, p.164-173. |
2 | 27.02. Studio Critique 2 │ Collection Development 01.03. Studio Critique 3 │ Material Research and Fabric Manipulations | Farley, G. K., Farley, J., & Hill, C. (2014). Sustainable fashion: Past, present and future. Berg. ISBN: 978-0-8578-5185-7, p. 1-30. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2, p.141-162. Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3, p. 48-77. Iiduka, S. (2021). Sashiko for making & mending: 15 Simple Japanese embroidery projects. Tuttle Publishing. ISBN: 978-0804853859. Mbonu, E. (2014). Fashion Design Research. Laurence King Publishing. ISBN: 978-1-78067-179-6. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6, p.10-51. Udale, J. (2008). Basics Fashion Design 02: Textiles and Fashion. AVA Publishing. ISBN: 978-2-940373-64-2, p. 24-35, 88-109. |
3 | 05-08.03. Studio Critique 4 │Technical Drawings | Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375, p.184-216. |
4 | 12-15.03. Studio Critique 5 │Product Development | Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375, p.184-216. |
5 | 19-22.03. Studio Critique 5 │ Product Development (cont.) | Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375, p.184-216. |
6 | 26.03. Field Trip: Sustainable Denim Production 29.03. Collection Presentation and Communication: Presentation Board + Styling + Photo Shooting | Buckley, C., & McAssey, J. (2011). Basics Fashion Design 08: Styling. AVA Publishing. ISBN: 978-2940411399, p.112-149. Muthu, S. S. (Ed.). (2017). Sustainability in Denim. Woodhead Publishing. ISBN: 9 78-0-08-102043-2, p. 27-48. Paul, R. (Ed.). (2015). Denim: Manufacture, Finishing and Applications. Woodhead Publishing. ISBN: 978-0-85709-843-6, p. 191-218. Trynka, P., & Marsh, G. (2005). Denim: A visual history of the world’s most legendary fabric (2nd ed.). Aurum Press. ISBN: 1 84513 111 8, p. 80-119. |
7 | 02.04. PROJECT 1: Denim Couture │ Midterm Exam 05.04. PROJECT 2: Sustainable Knitwear Collection │ Introduction Studio Critique 6 │ Design Research and Concept Development: Concept Board + Market Level Board + Customer Profile Board | Mbonu, E. (2014). Fashion Design Research. Laurence King Publishing. ISBN: 978-1-78067-179-6. Udale, J. (2014). Fashion Knitwear. Laurence King Publishing. ISBN: 978-1-78067-343-1. Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8. Sissons, J. (2018). Knitwear: An introduction to contemporary design (2nd ed.). Bloomsbury Visual Arts. ISBN: 978-1-4742-5174-7. |
8 | 09.04. EVE OF RAMADAN HOLIDAY 12.04. RAMADAN HOLIDAY | |
9 | 16.04. Studio Critique 7 │Collection Development 19.04. Studio Critique 8 │Material Research and Fabric Manipulations/Surface Designs | Fletcher, K. (2012). Fashion and Sustainability: Design for Change. London, England: Laurence King Publishing.ISBN: 978 1 85669 754 5, p. 12-32. Gullingsrud, A. (2017). Fashion fibers: Designing for sustainability. Bloomsbury Academic. ISBN: 978-1-5013-0664-8. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2, p.47-51. Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3. p. 78-95. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6, p.10-51. Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, p. 104-133, 156-189. |
10 | 23.04. NATIONAL SOVEREIGNTY AND CHILDREN'S HOLIDAY 26.04. Studio Critique 9 │Range Plan 27.04. Make-up Class: Range Plan (cont.) | Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3, p. 78-95. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6, p.138-159. |
11 | 30.04. Range Plan (cont.) 03.05. Studio Critique 10 │ Look 1 - Product Development 04.05. Make-up Class: Look 1 - Product Development (cont.) | Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. |
12 | 07-10.05. Look 1- Product Development (cont.) | Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. |
13 | 14-17.05. Studio Critique 11 │ Look 2 - Product Development | Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. |
14 | 21-24.05. Look 2 - Product Development (cont.) | Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. |
15 | 28.05. Studio Critique 12 │Pre-Jury Evaluation 31.05. Collection Presentation and Communication: Presentation Board + Styling + Photo Shooting | Buckley, C., & McAssey, J. (2011). Basics Fashion Design 08: Styling. AVA Publishing. ISBN: 978-2940411399, p.112-149. |
16 | Review of the semester/ FINAL JURY PRESENTATION |
Course Notes/Textbooks | There is no required textbook for the course. |
Suggested Readings/Materials | Buckley, C., & McAssey, J. (2011). Basics Fashion Design 08: Styling. AVA Publishing. ISBN: 978-2940411399. Farley, G. K., Farley, J., & Hill, C. (2014). Sustainable fashion: Past, present and future. Berg. ISBN: 978-0-8578-5185-7. Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Fletcher, K. (2012). Fashion and Sustainability: Design for Change. London, England: Laurence King Publishing.ISBN: 978 1 85669 754 5. Gullingsrud, A. (2017). Fashion fibers: Designing for sustainability. Bloomsbury Academic. ISBN: 978-1-5013-0664-8. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2. Gwilt, A., Payne, A., & Ruthschilling, E. A. (Eds.). (2019). Global perspectives on sustainable fashion. Bloomsbury Visual Arts. ISBN: 978-1-3500-5813-2. Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3. Iiduka, S. (2021). Sashiko for making & mending: 15 Simple Japanese embroidery projects. Tuttle Publishing. ISBN: 978-0804853859. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Kipöz, Ş. (2020). Slowness in fashion. Dixi Books Publishing OOD. ISBN: 978-619-7458-23-7. Kipöz, Ş. (2021). Sürdürülebilir Moda. Yeni İnsan Yayınevi. ISBN: 978-605-5895-67-9. Mbonu, E. (2014). Fashion Design Research. Laurence King Publishing. ISBN: 978-1-78067-179-6. Muthu, S. S. (Ed.). (2017). Sustainability in Denim. Woodhead Publishing. ISBN: 9 78-0-08-102043-2. Paul, R. (Ed.). (2015). Denim: Manufacture, Finishing and Applications. Woodhead Publishing. ISBN: 978-0-85709-843-6. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Sissons, J. (2018). Knitwear: An introduction to contemporary design (2nd ed.). Bloomsbury Visual Arts. ISBN: 978-1-4742-5174-7. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375. Trynka, P., & Marsh, G. (2005). Denim: A visual history of the world’s most legendary fabric (2nd ed.). Aurum Press. ISBN: 1 84513 111 8. Udale, J. (2008). Basics Fashion Design 02: Textiles and Fashion. AVA Publishing. ISBN: 978-2-940373-64-2. Udale, J. (2014). Fashion Knitwear. Laurence King Publishing. ISBN: 978-1-78067-343-1. Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8. |
Semester Activities | Number | Weigthing |
Participation | ||
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | 12 | 60 |
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury | 1 | 25 |
Project | ||
Seminar / Workshop | - | |
Oral Exam | ||
Midterm | 1 | 15 |
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 14 | 100 |
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 2 | 32 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | 6 | |
Study Hours Out of Class | 14 | 3 | 42 |
Field Work | |||
Quizzes / Studio Critiques | 12 | 7 | |
Portfolio | |||
Homework / Assignments | |||
Presentation / Jury | 1 | 25 | |
Project | |||
Seminar / Workshop | - | - | |
Oral Exam | |||
Midterms | 1 | 21 | |
Final Exams | |||
Total | 300 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to develop and design a collection independently. | X | ||||
2 | To be able to do maintain a design research individually or as a team. | X | ||||
3 | To be able to develop entrepreneurship- and managerial skills for a future professional practice. | X | ||||
4 | To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. | X | ||||
5 | To be able to analyze and integrate the particular local and regional needs and of their profession. | X | ||||
6 | To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | X | ||||
7 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | X | ||||
8 | To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. | X | ||||
9 | To be able to develop an ongoing analytical and professional approach to academic and design research. | X | ||||
10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | |||||
11 | To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | |||||
12 | To be able to speak a second foreign at a medium level of fluency efficiently. | |||||
13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest